Faultline is a collection of poetry published by Active Distribution, November 2018. Information about upcoming gigs and word from various folks about the book is below…
To order a copy click the button, cost is £5 plus £2 p&p within the UK, and drop me an email with your postal address (for shipping beyond the UK please email me for the costs):
Alternatively you can order it directly from Active.
Gigs coming up…
February 5th 2pm: StAnza preview (see March) at Central Library Edinburgh.
February 5th 7.30pm, reading as part of Vespers, Edinburgh.
February Thursday 7th, 7pm – Hydra Books Bristol, 34 Old Market St, Bristol BS2 0EZ. hydrabooks.org
February Sunday 10th, 6-7pm – Housmans, London, 5 Caledonian Rd, Kings Cross, London N1 9DY. housmans.com
February Wednesday 13th, 7pm – October Books, Southampton, 189 Portswood Rd, Southampton SO17 2NF. octoberbooks.org
March 6-10th: StAnza poetry festival, St. Andrews
November Friday 30th – Glasgow, Project Cafe, 7pm. I’ll be reading poems from Faultline at Express Yourself poetry night organised by Tell is Slant Poetry bookshop folk.
Wednesday November 28th – Glasgow, Glad Cafe, 7.30pm. I’ll be reading text from Faultline as part of a duo Claquer with Jer Reid and harpist Catriona McKay, mixing text, guitar, loops, noise and harp based around a poem (Prayer for the Blackfish) which we’ve recorded for a compilation cd to mark Remembrance day for lost species.
Friday November 16th – Edinburgh, Lighthouse Books 7pm. The Edinburgh launch of Faultline. The first 15 tickets are free, after that they cost £3 (which counts towards the cost of any copy of Faultline you might buy there). https://www.eventbrite.co.uk/e/poetry-lisa-fannen-launches-faultline-tickets-50864484041
Wednesday November 7th – Glasgow Launch Night, The Glad Cafe, from 7pm. By donation to cover costs. Not for profit. No one turned away for lack of funds. I’m really excited to be joined for that night by Alison Smith, Helen Moore, Andra Simons and Raman Mundair who will be reading/performing their own work in relation to some of the pieces in Faultline. And I’ll be playing with Jer Reid as part of our duo Claquer, joined by Alison Roe on Taiko drum, improvising with the Faultline text, and sound. Djing inbetween and after by Letitia Pleiades… More info about everything below! https://www.facebook.com/events/688302051569970/
Lisa Fannen is a vital, new voice in British poetry, with the courage to stand where the tectonic plates of internal and external forces collide, registering those seismic shocks – and, from that liminal place straddling worlds, the vision and artistry to powerfully express commitment to individual and collective transformation.
Faultline is richly diverse, with poems drawing on acute observation and personal experiences in the UK and US (including bereavement and work at a herbal foot clinic on Skid Row), which are interwoven with other important political poems, many meticulously researched and written in response to events of national and global significance, such as the Hillsborough Final Inquest Verdict and the Fukushima nuclear disaster.
This is wild, raw poetry, words bristling off the page with righteous anger against oppression and as satire of the neoliberal capitalist system, juxtaposed with exquisite moments of grief, tender connection, insight. Lisa Fannen’s debut collection deserves attention, as it promises to become a cherished companion for anyone trying to survive within the crazy-making system we’re simultaneously attempting to change.
— Helen Moore
Fannen’s work is a siren call, a blessing, a whisper. Socially and politically aware, Fannen’s words offer up a vibrating tremor of language, daring us to be fully alive and feel. She delivers words/syntax in a volley of compassion and consideration. Fannen topsy turvey’s poetics and bears witness to the layerings of life. She takes you to the Faultline, holds your hand and gently, makes you look.
— Raman Mundair
The common thread running through these poems is that of kindness. Lisa sees with a kind eye, reacts with a kind mind and then, like the person on the night train ‘pulling the trolley backwards’, dispenses that kindness with considered gentleness; tea, biscuits and, in Lisa’s case, a healthy dose of poetry. Ah, that’s better. Here are the completely un-cynical reactions of a good person to what might to others be perceived as a bad world. The message is clear; it is we who make the world around us, so do something about it, or, in Lisa’s own words, ‘bare yourself; be generous’.
— Penny Rimbaud